Stay Tuned is a 1992 American fantasy comedy film directed by Peter Hyams, written by Jim Jennewein and Tom S. Parker, and starring John Ritter, Pam Dawber, Jeffrey Jones, and Eugene Levy. Tim Burton was in the first place chosen to be the director on account of his art and stylus, but left to direct Batman Returns. [ 3 ]
Reading: Stay Tuned (film)
plot [edit ]
Struggling Seattle plumbing salesman, erstwhile fence athlete, and sofa potato Roy Knable ( John Ritter ) lives with his ignored wife Helen ( Pam Dawber ), a vitamin product senior director. After a contend ( which involved Helen smashing the class television screen door with one of Roy ‘s fencing trophies as a wake-up call to reality ), Mr. Spike ( Jeffrey Jones ), a mysterious salesman, appears at the couples ‘ door, offering them a new high-tech satellite dish system filled with 666 channels of programs one can not view on the four big networks ( CBS, NBC, ABC, and Fox ). Unbeknownst to Roy, Spike ( later referred to as “ Mephistopheles of the Cathode Ray “ ) is an emissary from hell who wants to boost the inflow of souls by arranging for television receiver junkies to be killed in the most ghastly and dry situations conceivable. The ‘candidates ‘ are sucked into a beastly television global, called Hellevision, and put through a gauntlet where they must survive a issue of demonic satirical versions of sitcoms and movies. If they can survive for 24 hours, they are free to go, but if they get killed, then their souls will become the place of Satan ( the latter normally happens ). The dish finally sucks Roy and Helen into this heave world. Spike pursues them, entering some shows along with the Knables to halt their overture. Roy and Spike continue to fight throughout several shows, even in a clandestine scenario where Roy displays his long-buried endowment as a fencer. Through doggedness, improvisation, and absolute fortune, the Knables stay alive, and their young son Darryl ( David Tom ) recognizes his parents fighting for their lives on the television receiver set. He and his older sister Diane ( Heather McComb ) are able to provide important aid from the actual world. This infuriates Spike to the point that he makes good on Roy ‘s narrow, releasing him, but not Helen, as she was not in the system under contract. Having no choice, Roy re-enters the system to save Helen while bringing his own outside master with him, allowing them to control their journey. After being pursued by Spike through respective more channels, Roy ultimately confronts his enemy in a Salt-N-Pepa music video recording, manages to get clasp of Spike ‘s outback, and uses it to save Helen from being run over by a string in a western movie. By pressing the “ off ” button on the distant, they are evicted from the cup of tea moments before it sucks their neighbor ‘s abusive Rottweiler into the television. The dish destroys itself, leaving the Rottweiler trapped in the television receiver universe constantly. In the end, Spike gets eliminated by the Rottweiler on the command of Crowley ( Eugene Levy ), a revengeful employee he banished to the system earlier, and is then succeeded in his executive stead by Pierce ( Erik King ), a younger upstart employee. Having learned a valuable example after his adventure, Roy dramatically cuts back on his television receiver wake, quits his job as a plumbing salesman, and opens his own argue school, in which he advises one of his students that watching besides much television receiver can get you into perturb .
cast [edit ]
production [edit ]
The script was purchased by Warner Bros. for $ 750,000. [ 4 ]
reception [edit ]
The film was not screened for film critics. [ 5 ] The film holds a 47 % blessing rat on Rotten Tomatoes from 17 reviews. [ 6 ] Stephen Holden of The New York Times called the film a “ cleverly plat movie ” based on a “ bang-up satirical concept ” but said that “ most of its takeoffs … show no feel for genre and no genuine brain. ” [ 7 ] Rita Kempley of the Washington Post called the film “ wonderfully cockamamie ” and a “ alert natural process spoof. ” [ 8 ] Variety reported the movie was “ not devilish enough for true black comedy, excessively chilling and violent for kids lured by its PG rate and nitwitted in its parody of obsessive television receiver see … a word picture with nothing for everybody ” ; it noted that the “ six-minute cartoon interlude by the consummate Chuck Jones, with Ritter and Dawber portrayed as mouse menaced by a automaton big cat … has a grace and depth sorely lacking in the rest of the movie. ” [ 5 ] Time Out called it “ otiose ‘satire ‘ ” with the “ aroused depth of a 30-second soap commercial. ” [ 9 ]
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Box office [edit ]
Stay Tuned opened at # 6 in the US, which the Los Angeles Times called a “ fuzzed reception ”. [ 10 ] The film grossed $ 10.7 million in the US and Canada and grossed only $ 1 million internationally for a global total of $ 12 million. [ 11 ] [ 2 ]
Parodies [edit ]
Some movie and television receiver series parodies include :
adaptation [edit ]
In August 2020, it was reported that AMC Studios was developing a television receiver series adaptation of the film with Ian B. Goldberg and Richard Naing as writers, a part of Goldberg ‘s overall deal at AMC Studios. [ 12 ]
soundtrack [edit ]
The soundtrack to the film is made up wholly of hip hop songs with the exception of the survive two tracks, which were themes composed by Bruce Broughton. Tracks in bold are used in the movie .
track listing [edit ]
score album [edit ]
Broughton ‘s score was released in 2011 by Intrada .
- Main Title 2:57
- Meet Darryl 1:03
- The Dish 2:56
- A Bumpy Ride 2:12
- Sayonara, Mrs. Seidenbaum 0:33
- Field Work 0:55
- Gordon Bashing 2:04
- It Ate My BMX 2:01
- Wolf Attack 0:45
- That’s My Bike! 2:53
- Offering to Help 1:47
- You Have Tits 1:35
- Aim The Dish 0:30
- Off With Your Wig 3:34
- Darryl Breaks Through 0:52
- Redemption 1:31
- Roy Goes Back 1:10
- The 3:10 to Yuma 1:55
- Roy Gets Shot 0:53
- Crashing In 0:32
- The Big Sword Fight 1:19
- Turn It Off! 1:50
- So What Can I Tell You… 0:53
- The Game Show 1:29
- TV Theme Medley 3:32
- Roy Knable, Private Dick 3:26
- We’re Cartoons 6:42
References [edit ]
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